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Still, it’s the first time I manage to get through three quarters of a Paranormal Activity flick without having to take vertigo breaks and stare at my own feet.įive: the movie always ends with our literal point-of-view character getting slaughtered. Hector, in particular, seems incapable of turning his head without following suit with his camcorder, leading to an absurd sequence in which he keeps shifting back and forth between the person to whom he’s talking and the event he was asked to record. Indeed, the characters in Paranormal Activity: The Marked Ones could learn a thing or two from the average thirteen-year-old vlogger.
© Copyright Paramount Picturesįour: everyone who gets a hold of the camera suffers from Parkinson’s disease. While I commend Landon for showing us something different from the usual bed sheet moving on its own, years of comics collecting have made it impossible for me to find the sudden acquisition of telekinetic powers all that scary. Unfortunately, the effect on the audience turns out more or less the same. Paranormal Activity: The Marked Ones mitigates this issue by toning down the initial threat so that we understand how a couple of particularly careless teenagers might find it amusing rather than terrifying. Three: the protagonists show more concern for their video diary than their loved ones’ well-being.
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In fact, my favourite scenes involve Jesse and Hector coming up with their own series of Jackass stunts, earning our sympathy through their recklessness, not in spite of it. Paranormal Activity: The Marked Ones adopts a more organic approach, providing a context in which we’d expect the characters to record their every mundane conversation, if only to immortalise the practical jokes they keep pulling on each other. Previous chapters in the Paranormal Activity saga have toyed with notions of morbid fascination and general dickishness to excuse this unlikely behaviour. Two: our heroes can’t so much as discuss the weather without grabbing their camcorder. It helps that Landon takes the time to build an endearing bromance between our doomed protagonist and his neighbour Hector (Jorge Diaz). When he starts acting like a doodoo-head, we root for his friends to snap him back to his senses rather than reproach them for putting up with his abuse. Paranormal Activity: The Marked Ones largely gets away with it by using Jesse’s (Andrew Jacobs) gradual possession as its focal point. One: the story always centers on schlubs who, when confronted with the supernatural, bicker incessantly instead of running away. These make for a mixed bag, but, for a while, I genuinely thought the film might bypass at least one of the five major clichés associated with the found footage genre. Landon gives it the old college try, bringing in offbeat new elements like time travel and South American mysticism. To his credit, writer-director Christopher B. The first spinoff, confusingly titled Paranormal Activity 2: Tokyo Night (2010), was produced in Japan yet retained all of the usual tropes, shedding doubt as to whether the Latino-centric Paranormal Activity: The Marked Ones could break the mould.
That’s a lot of releases for a series that keeps rehashing the exact same plot and gimmick. By the end of the year, the darn thing will have spawned four hit sequels, all starring white suburbanites, and, more interestingly, two ethnically diverse spinoffs set in crowded urban areas. Still, I can’t help but admire how the bigwigs at Paramount have turned Oren Peli’s little indie project into a multimillion-dollar franchise. Some of you may recall that the original Paranormal Activity (2007) left me somewhat underwhelmed.
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